My name is Lindsay Cavanaugh, my pronouns are she/her, and I grew up on Anishinaabek, Haudenosaunee, Lūnaapéewak, and Attawandaron land, near the traditional territories of the Oneida Nation of the Thames, the Chippewas Nation of the Thames, and the Munsee Delaware Nation (near St. Thomas and London Ontario). I am an ABD Ph.D. candidate in Curriculum & Pedagogy at the Ontario Institute for Studies in Education, a research fellow with the Global Centre for Disability Studies at the University of Toronto Scarborough, and a Course Instructor with The Chang School (Toronto Metropolitan University). I’m a white queer dis/abled fourth generation settler with Irish, British, and French ancestry, a K-12 certified educator in BC and Ontario with classroom teaching experience, and an arts-based educational researcher. I focus on queer and trans studies in education, critical femininities, and disability art methods. Specifically, my doctoral work documents the desires of a group of Indigenous, Racialized, white, dis/abled femme* 2S/LGBTQIA+ educators and older youth advocates about how the time/space, pedagogy, and curriculum of schools could be soft through an arts-based and participatory-informed method called dream-mapping. Softness has been identified as a relational femme(inist) intelligence by Andi Schwartz (2020) and is characterized by emotionality, vulnerability, interdependence, and earnestness. As a way of knowingbeingfeeling, softness is racialized, classed, and connected to madness and disability, making it a rich concept for intersectional analysis.

Softness informs my teaching and community work, including my leadership in establishing the OISE Care Collective (formerly the Ph.D. Caring & Sharing Collective), a network of OISE grad students who strive to facilitate greater opportunities for lateral care in academia.

Beyond research, I love to tease apart queer femme sick and mad subjectivities in my poetry. My writing has appeared in Contemporary Verse 2 (CV2), Room, and Grain. I am the 2022 winner of The Short Grain Contest and my poem “a body is never enough but still we try” was shortlisted for the 2022 Malahat Review’s Open Seasons Award. You can read more about my creative writing here.